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	<title>Superfly Records &#187; Rameau</title>
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		<title>CEINTS DE BAKELITE:  ARCHEO CONGO</title>
		<link>https://blog.superflyrecords.com/guests-top-5/ceints-de-bakelite-archeo-congo/</link>
		<comments>https://blog.superflyrecords.com/guests-top-5/ceints-de-bakelite-archeo-congo/#comments</comments>
		<pubDate>Mon, 18 Jun 2018 14:40:47 +0000</pubDate>
		<dc:creator><![CDATA[jdenis]]></dc:creator>
				<category><![CDATA[Ambia Pascal]]></category>
		<category><![CDATA[Georges Dula]]></category>
		<category><![CDATA[Henri Bowane]]></category>
		<category><![CDATA[Jacquy Lobbe Lobbe]]></category>
		<category><![CDATA[Joseph Kabasele]]></category>
		<category><![CDATA[Martha Badibala]]></category>
		<category><![CDATA[Rameau]]></category>
		<category><![CDATA[Wendo Kolosoy]]></category>

		<guid isPermaLink="false">http://blog.superflyrecords.com/?post_type=guests_top_5&#038;p=11060</guid>
		<description><![CDATA[«Digging in the history of sound recording», the baseline of the Ceints de bakélite blog sounds clear... As this selection, a focus on old congolese 78 rpm recording sessions. So deep and so rare.]]></description>
				<content:encoded><![CDATA[<p><strong>«Digging in the history of sound recording», the baseline of the <a href="https://ceintsdebakelite.com/">Ceints de bakélite</a> blog sounds clear: dedicated to 78 rpm records from around the world, his research work is essential to have a complete overview of the last musical century. This selection focuses on old congolese recording sessions. So deep and so rare.<br />
</strong></p>
<p>&nbsp;<br />
&nbsp;<br />
&nbsp;</p>
<p><strong>Martha Badibala and Wendo Kolosoy<br />
</strong>Martha Ake Kotoko Mayi</p>
<p><img src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Martha-Badibala-et-Wendo-Kolosoy_Martha-Ake-Kotoko-Mayi-610x603.jpg" alt="Martha-Badibala-et-Wendo-Kolosoy_Martha-Ake-Kotoko-Mayi" width="300" height="300" class="aligncenter size-large wp-image-11065" /></p>
<p><audio width="300" height="32" src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Martha-Badibala-et-Wendo-Kolosoy_Martha-Ake-Kotoko-Mayi.mp3" preload="none"></audio><br />
&nbsp;<br />
«<em>Female singers are often forgotten in the history of early popular Congolese music. Little is known about Martha Badibala, who recorded a dozen of sides on the legendary Ngoma label founded in 1948 in the former Leopoldville (renamed Kinshasa in 1966) by two Greek brothers, Nicolas and Alexandros Jeronimidis. In this lovely duo, she’s accompanied by the legendary Antoine “Wendo” Kolosoy, the very first star of Congolese rumba. This record was part of a bunch of around 30 Ngoma 78s I found in a Corsican village a few years ago. I still don’t figure out how they ended up there… One my best digs ever</em>!»<br />
&nbsp;</p>
<p><strong>Henri Bowane<br />
</strong>Achiko</p>
<p><img src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Bowane-Henri_Achiko-610x612.jpg" alt="Bowane-Henri_Achiko" width="300" height="300" class="aligncenter size-large wp-image-11063" /></p>
<p><audio width="300" height="32" src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Bowane-Henri_Achiko.mp3" preload="none"></audio><br />
&nbsp;<br />
«<em>A catchy tune from the early 50’s by another key figure in the history of Congolese rumba, co-writer of the 1948 classic “Marie-Louise” with Wendo Kolosoy. After his starts on the Ngoma label, Bowane joined the newly founded Loningisa studio and label in 1950, another record company run by Greeks, Basile and Athanase Papadimitriou. A great guitarist and singer, Bowane also served as Loningisa’s artistic director.</em>»<br />
&nbsp;</p>
<p><strong>Georges Dula and Joseph Kabasele<br />
</strong>Bolingo Suka Te</p>
<p><img src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Dula-Georges-et-Kabasele-Joseph_Bolingo-Suka-Te-610x620.jpg" alt="Dula-Georges-et-Kabasele-Joseph_Bolingo-Suka-Te" width="300" height="300" class="aligncenter size-large wp-image-11064" /></p>
<p><audio width="300" height="32" src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Dula-Georges-et-Kabasele-Joseph_Bolingo-Suka-Te.mp3" preload="none"></audio><br />
&nbsp;<br />
«<em>A beauty and one of the first records of Joseph Kabasele, aka “Le Grand Kallé”, then a member of Georges Doula’s band before becoming famous in 1960 with his “Indépendance Cha Cha”. Opika is the third Greek-run label from the golden age of Congolese rumba, founded in 1949 by two brothers, Gabriel Moussa and Joseph Benetar. Within a few years of activity, Opika recorded extensively in Congo, Cameroon and also made it to Ghana and Ivory Coast, releasing both popular and folk music. One of my favourite labels.</em>»<br />
&nbsp;</p>
<p><strong>Rameau et Jacquy Lobbe Lobbe</strong><br />
Ambas Bel </p>
<p><img src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Rameau-et-Jacquy-Lobbe_Ambas-Bel-610x606.jpg" alt="Rameau-et-Jacquy-Lobbe_Ambas-Bel" width="300" height="300" class="aligncenter size-large wp-image-11066" /></p>
<p><audio width="300" height="32" src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Rameau-et-Jacquy-Lobbe_Ambas-Bel.mp3" preload="none"></audio><br />
&nbsp;<br />
«<em>We’re leaving Congo for Cameroon with another Opika release from the mid-50’s. A catchy song by the “singing couple” Rameau and Jacquy Lobbe Lobbe, who recorded a dozen of records for Opika.</em>»<br />
&nbsp;</p>
<p><strong>Ambia Pascal<br />
</strong>Na Lobaki Mpe Na Lembi</p>
<p><img src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Ambia-Pascal_Na-Lobaki-Mpe-Na-Lembi-294x300.jpg" alt="Ambia-Pascal_Na-Lobaki-Mpe-Na-Lembi" width="300" height="300" class="aligncenter size-medium wp-image-11062" /></p>
<p><audio width="300" height="32" src="https://blog.superflyrecords.com/wp-content/uploads/2018/06/Ambia-Pascal_Na-Lobaki-Mpe-Na-Lembi.mp3" preload="none"></audio><br />
&nbsp;<br />
«<em>In 1953, Belgian jazz musician Guillaume “Bill” Alexandre moved to Congo to open a recording studio in Leopoldville and launch a label called the Compagnie d’Enregistrements Folkloriques Africains (CEFA). I didn’t find any info on Ambia Pascal, the singer in this excellent track backed by the great CEFA’s studio band.</em>»</p>
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