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	<title>Superfly Records &#187; Mission Ogooué Congo</title>
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		<title>VINCENT SEGAL</title>
		<link>https://blog.superflyrecords.com/guests-top-5/vincent-segal/</link>
		<comments>https://blog.superflyrecords.com/guests-top-5/vincent-segal/#comments</comments>
		<pubDate>Wed, 01 Oct 2014 17:12:36 +0000</pubDate>
		<dc:creator><![CDATA[jdenis]]></dc:creator>
				<category><![CDATA[Bade Gulam Ali Khan]]></category>
		<category><![CDATA[Marlene Dietrich]]></category>
		<category><![CDATA[Mission Ogooué Congo]]></category>
		<category><![CDATA[Nathan Milstein]]></category>
		<category><![CDATA[Nelson Cavaquinho]]></category>

		<guid isPermaLink="false">http://blog.superflyrecords.com/?post_type=guests_top_5&#038;p=395</guid>
		<description><![CDATA[Cello player and composer, member of BumCello and special partner of malian kora player Ballake Sissoko, Vincent Segal is also a guest on many projects in genres ranging from soul jazz to deep folk, West<a class="moretag" href="https://blog.superflyrecords.com/guests-top-5/vincent-segal">...</a>]]></description>
				<content:encoded><![CDATA[<p><strong> Cello player and composer, member of BumCello and special partner of malian kora player Ballake Sissoko, Vincent Segal is also a guest on many projects in genres ranging from soul jazz to deep folk, West Coast hip hop or brazilian music from North East&#8230; Classical or ethnic, abstract or melodic, there are no boundaries for him, just like his record collection. From Asia to Africa ! <span id="more-395"></span></strong></p>
<p>&nbsp;</p>
<p><strong>Marlene Dietrich</strong></p>
<p>Wenn ich mir was wünschen dürfte</p>
<p><iframe width="500" height="375" src="http://www.youtube.com/embed/Vx6aKAMYDHk?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p>&#8220;<em>Dietrich sings in a simple and relaxed way but nevertheless with a very unique, distinctive style! “I shall like being a little bit happy because too much I shall be nostalgic of my misfortune.” Darker than the new wave ! </em>&#8221;</p>
<p>&nbsp;</p>
<p><strong>Bade Gulam Ali Khan  </strong></p>
<p>Raga Bhairavi</p>
<p><iframe width="500" height="375" src="https://www.youtube.com/embed/qXG241L9nX8?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p>&#8220;<em>The teacher looks for the same detachment, abandonment in the thumri style (a lighter part of indian classical music), here the rhythm, the text or the notes are one and only and the duration is not limited to 3 minutes… FUCK.</em>&#8221;</p>
<p>&nbsp;</p>
<p><strong>Nelson Cavaquinho </strong></p>
<p>Pranto de poeta</p>
<p><iframe width="500" height="375" src="http://www.youtube.com/embed/vgkdM8Vjbr0?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p>&#8220;<em>Another detachment and as to Bade Gulam Ali Khan the voice of a charabi (alcoholic), but in the bar of Mangueira (One of the main samba schools) everything hangs on to the voice of the poet</em>.&#8221;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Nathan Milstein</strong></p>
<p>Andante de la 2 sonate de JS Bach</p>
<p><iframe width="500" height="375" src="http://www.youtube.com/embed/2rV7tb8TT2g?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p>&#8220;<em>The melodic line is sublime and nevertheless so simple.&#8221;</em></p>
<p>&nbsp;</p>
<p><strong>Mission Ogooué Congo</strong></p>
<p>Chant magique en partant pour la chasse au filet (solo femme)</p>
<p><a href="https://blog.superflyrecords.com/wp-content/uploads/2014/05/Mission-Ogooué-Congo.jpeg"><img src="https://blog.superflyrecords.com/wp-content/uploads/2014/05/Mission-Ogooué-Congo.jpeg" alt="Mission Ogooué Congo" width="300" height="295" class="aligncenter size-full wp-image-1487" /></a></p>
<p><audio width="300" height="32" src="https://blog.superflyrecords.com/wp-content/uploads/2014/05/12_bam110_chant_magique_en_partant_pour_la_chasse_au_filet.mp3" preload="none"></audio></p>
<p>&#8220;<em>Sir A Didier recorded this magnificent singer in 1948 but he did not deign to write his name (shame to the Musée de l&#8217;Homme but respect for the recording). The precision and simplicity of the voice is just jaw-dropping.</em>&#8221;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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